Catalog to accompany artist Grant Drumheller's exhibition In the Garden at University of New Hampshire Museum of Art in Durham, NH from January 26–April 1, 2023. (Pictured is the cover with Morning on the Deck, 2022, acrylic and Flashe on linen, 60 x 72 inches.) The exhibition is in honor of his retirement from his professorship with UNH Dept. of Art and Art History since 1986. (Photos: Andrew Edgar) Below are selected pages from the catalog.

Catalog to accompany artist Bob Oppenheim's exhibition Variants at Howard Yezerski Gallery 

in Boston, on view from September 9–October 22, 2022. 

Bob Oppenheim: Variants is an exhibition of paintings from his recent series Bob has titled Variants, for the variations on his circle within a square basic structure. The catalog includes an essay by the Director of the Museum of Art at the University of New Hampshire, Kristina Durocher; Bob's introduction and artist statement; and 41 full-color image plates. On the cover: Seed (2021) (detail). (Photos: Will Howcroft) Below are selected pages from this perfect-bound catalog, available through Howard Yezerski Gallery. 

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Catalog for artist Keith Maddy's exhibition Inner Flight at Howard Yezerski Gallery, Boston.

Keith Maddy: Inner Flight is an exhibition of 15 artworks of collaged hand-cut vintage printed paper on found vintage objects. The catalog includes essays by independent curator and art critic Barbara O'Brien, NYC architect Jack Esterson, and myself, and full-color image plates. On the cover: Dreaming in the Bough of the Magnolia Tree (2020) (detail). Below are selected pages from this catalog, available through Howard Yezerski Gallery.

Liz Shepherd Sculpture & Prints, self-published monographic catalog.

Above, top: the full cover featuring Liz's etching Gear Pile (2019); table of contents with a detail of Given Over Prayer Rug – Bird of Life (2015) (photos: Stewart Clements); and a view of Liz's most recent exhibition at Boston Sculptors Gallery, Ungathered (Oct. 2020), an installation featuring prints combined with sculpture (photo: Julia Featheringill).

This catalog includes an essay by Curator Lisa Crossman and artist statements for each chapter that reflects upon her various bodies of exhibited artwork in print and sculpture. (click to jump to Liz's site)

 above: three self-published exhibition catalogs for artists with essay

(showing the front covers, click each to view)

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above: self-published exhibition catalogs for Boston artists

(showing the covers flat, front and back)

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above: full-page magazine advertisements

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above: exterior wall banner triptych design for Lexicon: The Language of Gesture in 25 Years at the Kemper Museum

exhibition in 2019 at the Kemper Museum of Contemporary Art, Kansas City, MO (Photo courtesy of Breeze Richardson)

pictured above: front covers of the exhibition catalogues for 

Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers)

and Angela Dufresne: Making a Scene, 2018, Kemper Museum of Contemporary Art

(artworks: Polly Apfelbaum, Sun Targets: Scorpius, 2018, glazed ceramic, 12 x 12 inches;

Angela Dufresne, The Lonely Are the Brave, 2018, oil on canvas, 42 x 62 1/2 inches)

Both exhibitions showed at the Kemper Museum of Contemporary Art in Kansas City, MO.

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above: exterior banner triptych design for Rashid Johnson: Hail We Now Sing Joy exhibition, 

2017, Kemper Museum of Contemporary Art, (Photos Courtesy: Kent Michael Smith)

below: full-page ad for Art Forum magazine, February 2017 issue

(artwork: Rashid Johnson, Untitled Escape Collage, 2016)

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(pictured above, front cover and full wrap-around cover): exhibition catalogue for

Siah Armajani: Bridge Builder exhibition, 2016–17, Kemper Museum of Contemporary Art

(artwork: Siah Armajani, Sunset at Hiawatha Avenue, 2008)

five art books designed and produced in a little over a year (2014–15)

(pictured top to bottom): exhibition catalogue for the Kemper Museum of Contemporary Art's Dark Days, Bright Nights: Contemporary Paintings from Finland, a show of 13 Finnish contemporary artists curated by Executive Director Barbara O'Brien [cover image: Fifth Generation, painting by Sirpa Särkijärvi]; a monographic exhibition catalogue Adam Cvijanovic: American Montage, for the artist's show at the Kemper Museum of Contemporary Art in Kansas City, Missouri which was curated by Erin Dziedzic—bound in cloth with debossed foil stamps and a half jacket which features his painting Abandoned Drive In; an exhibition catalogue for Boston-based painter Deborah Barlow for her solo museum exhibition Behind, Beyond, Beneath: Scaling the Continuum; a monographic catalogue for Boston-based artist Liz Shepherd featuring her sculpture and prints; and a 208-page catalogue celebrating the Kemper Museum's 20th anniversary, showcasing their collection, 20 years of exhibitions in Kansas City, titled Marking 20 Years: Kemper Museum of Contemporary Art, published in conjunction with the Museum's anniversary exhibition in 2014.

full page ad for Art in America magazine

featuring a painting by Anna Tuori titled Things I've Seen I Can See No More

full page ad for Artforum magazine

featuring a painting by Jani Hänninen titled Urban Assault

above: catalogue for Adam Cvijanovic's exhibition American Montage,

shown at the Kemper Museum of Contemporary Art, Kansas City, Missouri in 2015

above: two full-page national ads for Art in America and Artforum magazines 

for their May-June issues, announcing solo museum exhibition

below: sketch for banner triptych for exterior museum wall

Art © Adam Cvijanovic

images: in Art in America ad: Childhood of Buster Keaton (2010); in Artforum ad: Hollywood and Sunset (2015)

banner sketch: Nuart (detail), (2006), Flashe and latex on Tyvek, 15 x 30 feet, Private collection

catalogue for Simmons College Trustman Art Gallery 

exhibition of traditional garments and weavings from Southeast Asia;

essay by Margaret Hanni, PhD, Chair, Department of Art and Music

above: front cover, below: back cover and selected pages

image on front cover: Skirt with Tree of Life motif, possibly Xam Tai, Hua Phan Province, Laos;

images on back cover: Falam skirt, Myanmar; top: Lahu woman, Thailand; Textile on a loom, Inle Lake, Myanmar

Courtesy of Private Collection. Images used with permission.